Monday, October 25, 2010

Journal Notes 114-125

Camera Settings
  • formal portrait=wide aperature to make background out of focus
  • normal lenses= f/2 or f/2.8
  • 35mm camera= 50-100mm range
  • wide aperature increases the shutter speed
  • shutter speed should be no slower than 1/60 of a second to avoid blinking
Lighting for Formal Portraits
Indoors
  • one light at appx. 45 degree angle on one side of subject
  • use a reflector such as white cardboard on other side of subject
Outdoors
  • direct sunlight is NOT the best lighting for portraits
  • open shade such as shadow of building or tree; avoid deep shade
  • include the cloudless sky but not direct sunlight
  • reflector anywhere between 3-6 ft. away from the subject
  • cloudy days=great for photographing
  • even lighting it provides is flaterring for portraits

Photo by:Gill Barker
The Candid Portrait
  • capture a person going about everyday life and activities
  • don't try to pose subject
  • try to shoot subject without them noticing you
  • inlcude subject's surroundings
  • background gives context and meaning
  • capture different moods
  • take more time and more shots
  • similar to family snapshots

Photo by: Phitar
Camera Settings
  • faster shutter speed such as f/250 or higher so it freezes action
  • you can use flash for candid portraits
  • use flash, get close
The environmental Portrait
  • uses a subject's surroundings to help tell that peron's story
  • combination of formal portraits and photo journalism
  • may be posed
  • subject can be smaller part of image
  • background is most important
  • if background gives away biggest clues, background more prominent
  • if background only provides a context or setting, subject more prominent
  • try different set-ups and angles

Photo by:Wayne Rainey
Camera Settings
  • wide-angle lenses
  • zoom 28mm
  • f/5.6 to f/8 or even f/11 for greater depth of a field= sharp and in focus
Retouch a Digital Portrait
  • clone stamp tool
  • healing brush
The Self Portrait
  • you become your own subject
  • reveal as much or as little as you want of your life
  • choose setting
  • in control
  • tell a story about you

Thursday, October 14, 2010

Self Portrait- How I Identify Myself

This is a photo of me on a Hornblower Cruise ship. I identify myself with where I live- the beautiful city of San Francisco

Wednesday, October 6, 2010

Journal Notes-Portraits

3 main types of portraits:
    1. Taken by Dennis Walsh
    2. Taken by: John B. Crane
    3. Taken by Mallard Pond Studios
  1. environmental   
  2. candid
  3. formal
Early Portrait Photgraphy
  • Gaspard-Felix Tournachon (France, 1820-1910); first portrait photographer
  • August Sander (Germany, 1876-1964); first environmental portrait photographer
Thinking Artistically
  • value is important to consider (range of light and dark areas) --> attrract attention and help move our eyes through an image
  • location of light source in an image to take advantage of light values
  • subtle changes in value can produce a sense of depth in an image
  • value can bring emotional content
  • use value for emphasis
  • Rule of thirds is important also
Shape and Form
  • shape is critical (emphasizing subject)
  • groups of people- geometrical shape (ex. triangle)
Camera Formats
  • candid and environmental: 35mm cameras are perfect (fast to operate and respond quickly to subject's changing expressions)
  • bigger the negative-the more detail captured
  • medium format cameras- bigger negatives and ease/speed of operation
Film Speed
  • Slow films (50-100 ISO) fine grained-capture more detail and smoother looking; good for formal portraits; use tripod; slow films=slow shutter speed
  • Fast fimls (400-3200 ISO) more sensative to light; good for candid and environmental; coarser and doesn't capture fine details as well; handheld; fast films=fast shutter speed
Black and White or Color?
  • black and white: can focus viewer's attention on subject
  • eliminate certain distracting elements
  • formal, serious quality or can suggest edgy energy
  • color: carry feelings and impressions
  • set a mood of energy with warm colors (red, orange, yellow)
  • restful and calm mood: (blue, green)
Equipment Choices: Lenses for Portraits
  • 24mm: distortion, too close, not flattering
  • 50mm: less rounded and broad face, distortion decreases
  • 100mm: most flattering; no distortion
Camera Accesories
  • tripod: three-legged metal stand which you can mount camera on (steady camera, sharpen shots especially with slow shutter speed)
  • cable release: flexible wire attached to cameras shutter release, other end has a plunger that lets you trip the shutter without touching the camera
  • relfector: anything that will reflect light into shadows to lighten them for a flattering, 3-D portrait; standard full sheet of white mat/ foam-core board about 32X40 in. is perfect
Formal Portrait
  • simplest portrait style and emphasizes person and nothing else
  • person in front of neutral background
  • can close-up or full-length
Julia Margaret Cameron (England, 1815-1879)
  • self-taught Victorian photographer
  • one of the first to approach photography as an art form
  • long lasting effectg on the history of photography

Monday, October 4, 2010

Photo Essay

Here are the photos I chose to be apart of my photo essay- The Life of a Dancer